Spoofing The Vampire: Essays On Bloodsucking Comedy

We could have included any number of Simon Bacon's comprehensive list of books analyzing vampires across visual culture, but Spoofing The Vampire is not only the first book dedicated to dissecting the vampire comedy on film and television, it's also a real treat to read.

Distinguishing between parody, satire, and serious-spoofing, it covers everything from defanging Nosferatu in children's media to "Mocking Masculinity" via subversion in women-directed vampire films to "Vampires Clashing with the 21st Century."

Varney The Vampire; Or, The Feast Of Blood

Fans of Penny Dreadful (let's just pretend the show ended before the abysmal final showdown...), this one's for you! Varney The Vampire (often attributed to James Malcolm Rymer and Thomas Peckett) is a popular example of the penny dreadful, notorious Victorian gothic literature serialized in illustrated pamphlets.

Pulp-Lit Productions collects several issues across two volumes, including original woodcut illustrations and presented as they would have appeared in the 1840s, albeit with larger print for reading ease.

The Horror Sensorium: Media And The Senses

Angela Ndalianis' The Horror Sensorium analyzes how storytelling practices, emotional experiences, cognitive responses, and physicality ignite the sensory mechanics of the body and its connected intellectual and cognitive functions.

The Five Senses Of Horror

This unique anthology, edited by Eric J. Guignard, offers sixteen horror stories exploring how our impressions of the world are formed by the five senses.

Each entry is accompanied by cognitive, cultural, and literary insights by psychologist Jessica Bayliss, which, in addition to further academic and fiction reading lists, makes this an essential book for writers of psychological or sensory horror.

Killing For Culture: From Edison To Isis

David Kerekes and David Slater's Killing For Culture offers a detailed history of death on film, broken into three sections: the depiction of death in conventional or feature films (focusing on Roberta and Michael Findlay's exploitation film Snuff — originally filmed in 1971 and loosely based on the Manson murders, later released by Alan Shackleton in 1976 with a new ending and marketed as an actual snuff tape), mondo films (shockumentaries purporting to show real death, often containing real animal cruelty), and death captured on film (focusing on the live broadcast of State Senator R. Budd Dwyer's suicide).

This was the first book in the Critierion Cinema series (see part one of our list for another entry, The Satanic Screen), which has since been expanded in a reprint by Headpress — highly recommend getting both editions if you can!

Autumn Gothic

An extreme horror novel involving the gods of death, Brian Bowyer's Autumn Gothic is an unrelenting read that takes you on a violent race across America.

After guitarist Mark learns that ritual murder is to thank for his bandmate Delilah’s musical success, she lets him scram rather than become her next sacrifice — before changing her mind and hunting him down.

As she carves her way from LA to a haunted mansion in West Virginia, arriving just in time for Halloween, she discovers Mark and the mansion’s former resident aren’t alone.

Terror Tracks: Music, Sound And Horror Cinema

Focusing on the post-War period, Terror Tracks, edited by Philip Hayward, explores patterns and inflection in a range of scores — orchestral, popular, rock, and electronic — and how these relate to non-musical sound.

Out Of Tune

Edited by Jonathan Maberry, Out Of Tune is an anthology series split across two volumes that creatively reimagines folk ballads as short dark fiction.

Accompanying each story, folklorist Nancy Keim Comley comments on each source ballad in this wonderful blend of folkloristics, storytelling, and ethnomusicology.

Also had to mention George R.R. Martin's 1983 novel The Armageddon Rag, in which a journalist’s investigation into the death of a rock promoter reveals that his favorite band, Nazgûl, has returned to the music scene with a little help from a demonic force...

Reservation Reelism: Redfacing, Visual Sovereignty, And Representations Of Native Americans In Film

While not horror-specific, Michelle H. Raheja's Reservation Reelism is the first book-length text to explore how the contributions of Indigenous actors, filmmakers, and spectators helped to shape the representation of Indigenous peoples in Hollywood.

A comprehensive study that fully embraces the complexity of this relationship, it attempts to create positive representations in film that reflect the influence and experiences of Native peoples and communities in Hollywood and beyond.

Never Whistle At Night: An Indigenous Dark Fiction Anthology

Edited by Shane Hawk and Theodore C. Van Alst Jr., Never Whistle At Night is bursting with 26 stories from Indigenous North American authors.

Featuring a foreword by Stephen Graham Jones, who introduces and frames the importance of the book's Native perspective when he speaks to a specific fear of the "colonized body" in possession narratives, the breadth and range of subjects, style, and sociocultural themes explored resonates beyond literary representation.

Thank you for reading! If you haven’t already, check out part one and two of our Summerween special!

We’ll be back next week with the final installment.

Until then, stay spooky!

Happy Pride! Summer is officially here and whether you're a spooky sun bunny or longing for autumn darkness, I think we can all agree that Summerween is a perfect excuse to make that horror TBR pile a little bigger...

Throughout the month of June, we're taking over the blog with a three-part It Came From The Shelves... Summerween special!

Each week, we'll add to a list of recommended horror books from the Hex Libris stacks, pairing essential film theory books with fiction faves.

Grab your drink of choice and let's go!

The Satanic Screen: An Illustrated Guide To The Devil In Cinema

Nikolas Schreck's The Satanic Screen is a fabulous compendium of Satanic films.

A practitioner of magic, Schreck draws on his own spiritual and occult knowledge to explore the symbiotic relationship between the films and leading occultists.

Originally published in 2001, Headpress released a revised and updated edition in May 2024.

At the time of writing, special edition hardback copies are available directly from the website!

Between Two Fires

The depiction of the devil can be interpreted in so many ways, but I went with Christopher Buehlman’s Medieval horror Between Two Fires for this pairing — mostly as I don't hear it talked about too often, and also as I felt it a bit of a cop-out to recommend source material for films covered in The Satanic Screen.*

Set in France during the Black Plague, Between Two Fires follows a former knight and orphan girl as they travel across a world (and even Hell itself) blighted by Lucifer and his band of fallen angels as they wage war on Heaven. The episodic structure of this historical horror (heavy on the Christian iconography and themes, with a dash of fantasy) plays like a horror video game, resulting in something of a poetic mash-up between Dante's Inferno, The Seventh Seal, and Constantine.

(*Though I have to include Arturo Pérez-Reverte's The Club Dumas; while The Ninth Gate was loosely (it removes the eponymous Dumas connection for a start...) based on the book, the film doesn't hold a candle to it. The Club Dumas is a book about a cursed book. With a book detective. Occult bibliophiles. Literary murder mysteries (with bookplates). Plus, Satan. Seriously, what more do you need?)

Blood Money: A History Of The First Teen Slasher Film Cycle

Horror film scholarship’s complex history with dominant psychoanalytic models, specifically in relation to the slasher film, traditionally posited that the violence and misogyny within these formulaic films catered to a young male demographic.

Richard Nowell's Blood Money — a meticulously researched study that draws comparisons with post-classical Hollywood films and viewership — shifts this focus to demonstrate how North American filmmakers and marketers went to extraordinary lengths to make early teen slashers attractive to girls.

You’re Not Supposed To Die Tonight

"Final girl" Charity has landed her dream summer job at Camp Mirror Lake, recreating scenes from the 1983 cult slasher film, Curse of Camp Mirror Lake.

But as life starts to imitate art when one of her co-workers is found dead, she'll have to become the final girl in order to survive the night and discover Camp Mirror Lake's secrets.

A sapphic slasher with a summer camp setting that’s laced with 80s nostalgia, Kalynn Bayron’s YA novel has all the feels and is perfect for both younger audiences — as well as 'classic' horror fans (shout out to my 80s babes) of Fear Street, Point Horror, and Christopher Pike.

The Cult Film Reader

The Cult Film Reader, edited by Ernest Mathijs and Xavier Mendik, collects essays on the canon of cult cinema and its trends, icons, auteurs, and periods of global film production.

Divided into four areas — The Conceptions of Cult; Cult Case Studies; National and International Cults; and Cult Consumption — the book features seminal essays such as Susan Sontag's "Notes on Camp" and Jeffrey Sconce's "Trashing the Academy."

It Was All A Dream: An Anthology of Bad Horror Tropes Done Right

As a bit of a fun antithesis to the comprehensive survey of cult cinema traditions in The Cult Film Reader, It Was All A Dream is an enjoyable and inventive subversion of horror tropes across 26 short stories. While the writers are clearly having a blast — detailing the existential crisis of being the final final girl; why being possessed by a good entity is just as bad; and legal loopholes when making a deal with the devil — it's a real rollercoaster of emotions (as ever, do check content warnings).

With original cover art by Evangeline Gallagher and original interior illustrations by Christopher Castillo Díaz, it's also beautiful to read.

New Queer Horror: Film and Television

Edited by Darren Elliott-Smith and John Edgar Browning, New Queer Horror is an anthology studying the form, aesthetics, and representations of LGBTQ+ identities in an emerging subgenre of film and television (post-2000) termed ‘New Queer Horror.’

Building on existing scholarship surrounding queer monstrosity, the collection features twelve essays exploring how this subgenre portrays contemporary anxieties within LGBTQ+ subcultures via character representation and narratives, examining how “New Queer Horror has turned the focus of fear on itself, on its own communities and subcultures.”

Queer Little Nightmares: An Anthology Of Monstrous Fiction And Poetry

Queer Little Nightmares examines the figure of the monster in horror — typically demonized, marginalized, and outcast — through a queer lens, celebrating and reclaiming these characters as queer icons.

Across 32 pieces of short fiction and poetry, the collection creatively explores themes such as identity, belonging, and coming into queerness. The diversity of LQBTQ+ voices contributing to this anthology — depicting 'monstrous' creatures from Eve to kaiju to the ghosts of Pride past — creates a beautiful melting pot of deeply human stories about what it means to "be (and to love) a monster."

Folk Horror: Hours Dreadful And Things Strange

Adam Scovell's Folk Horror: Hours Dreadful and Things Strange explores folk horror from a hauntological and topographical perspective, as the book's Shakespearean subtitle beautifully illustrates.

Covering an astounding body of films and television series — ranging from depictions of ancient Britain to modern Europe, and encompassing both ruralism and urban spaces — the book is a painstakingly researched study on the representation of the esoteric arts in the latter half of the twentieth century.

Maggie's Grave

As four young friends contemplate their bleak futures in the isolated, decaying town of Auchenmullan, which lies forgotten in the shadow of a mountain in the Scottish Highlands, they learn the hard way that the town is actually cursed when they take a tourist to the local haunt 'spot' — Maggie's Grave.

Falsely accused as a witch, Maggie has returned to claim what was taken from her...

A modern folk-tale, David Sodergren’s Maggie's Grave is a punchy, cinematic ride that packs in the body horror (perhaps the best character entrance ever?), comedy (who knew James Blunt's "You're Beautiful" could be more horrific?), and so much heart (believable small-town characters, social commentary, and an ending that will break your heart — before ripping it out).

As ever, thank you for reading.

We’ll be back next week with part two; until then, stay spooky!