Ryan Todd 23/06/2024 Ryan Todd 23/06/2024

Essential Horror Film And Fiction Books For Every Shelf: Summerween Special [Part Three]!

Spoofing The Vampire: Essays On Bloodsucking Comedy

We could have included any number of Simon Bacon's comprehensive list of books analyzing vampires across visual culture, but Spoofing The Vampire is not only the first book dedicated to dissecting the vampire comedy on film and television, it's also a real treat to read.

Distinguishing between parody, satire, and serious-spoofing, it covers everything from defanging Nosferatu in children's media to "Mocking Masculinity" via subversion in women-directed vampire films to "Vampires Clashing with the 21st Century."

Varney The Vampire; Or, The Feast Of Blood

Fans of Penny Dreadful (let's just pretend the show ended before the abysmal final showdown...), this one's for you! Varney The Vampire (often attributed to James Malcolm Rymer and Thomas Peckett) is a popular example of the penny dreadful, notorious Victorian gothic literature serialized in illustrated pamphlets.

Pulp-Lit Productions collects several issues across two volumes, including original woodcut illustrations and presented as they would have appeared in the 1840s, albeit with larger print for reading ease.

The Horror Sensorium: Media And The Senses

Angela Ndalianis' The Horror Sensorium analyzes how storytelling practices, emotional experiences, cognitive responses, and physicality ignite the sensory mechanics of the body and its connected intellectual and cognitive functions.

The Five Senses Of Horror

This unique anthology, edited by Eric J. Guignard, offers sixteen horror stories exploring how our impressions of the world are formed by the five senses.

Each entry is accompanied by cognitive, cultural, and literary insights by psychologist Jessica Bayliss, which, in addition to further academic and fiction reading lists, makes this an essential book for writers of psychological or sensory horror.

Killing For Culture: From Edison To Isis

David Kerekes and David Slater's Killing For Culture offers a detailed history of death on film, broken into three sections: the depiction of death in conventional or feature films (focusing on Roberta and Michael Findlay's exploitation film Snuff — originally filmed in 1971 and loosely based on the Manson murders, later released by Alan Shackleton in 1976 with a new ending and marketed as an actual snuff tape), mondo films (shockumentaries purporting to show real death, often containing real animal cruelty), and death captured on film (focusing on the live broadcast of State Senator R. Budd Dwyer's suicide).

This was the first book in the Critierion Cinema series (see part one of our list for another entry, The Satanic Screen), which has since been expanded in a reprint by Headpress — highly recommend getting both editions if you can!

Autumn Gothic

An extreme horror novel involving the gods of death, Brian Bowyer's Autumn Gothic is an unrelenting read that takes you on a violent race across America.

After guitarist Mark learns that ritual murder is to thank for his bandmate Delilah’s musical success, she lets him scram rather than become her next sacrifice — before changing her mind and hunting him down.

As she carves her way from LA to a haunted mansion in West Virginia, arriving just in time for Halloween, she discovers Mark and the mansion’s former resident aren’t alone.

Terror Tracks: Music, Sound And Horror Cinema

Focusing on the post-War period, Terror Tracks, edited by Philip Hayward, explores patterns and inflection in a range of scores — orchestral, popular, rock, and electronic — and how these relate to non-musical sound.

Out Of Tune

Edited by Jonathan Maberry, Out Of Tune is an anthology series split across two volumes that creatively reimagines folk ballads as short dark fiction.

Accompanying each story, folklorist Nancy Keim Comley comments on each source ballad in this wonderful blend of folkloristics, storytelling, and ethnomusicology.

Also had to mention George R.R. Martin's 1983 novel The Armageddon Rag, in which a journalist’s investigation into the death of a rock promoter reveals that his favorite band, Nazgûl, has returned to the music scene with a little help from a demonic force...

Reservation Reelism: Redfacing, Visual Sovereignty, And Representations Of Native Americans In Film

While not horror-specific, Michelle H. Raheja's Reservation Reelism is the first book-length text to explore how the contributions of Indigenous actors, filmmakers, and spectators helped to shape the representation of Indigenous peoples in Hollywood.

A comprehensive study that fully embraces the complexity of this relationship, it attempts to create positive representations in film that reflect the influence and experiences of Native peoples and communities in Hollywood and beyond.

Never Whistle At Night: An Indigenous Dark Fiction Anthology

Edited by Shane Hawk and Theodore C. Van Alst Jr., Never Whistle At Night is bursting with 26 stories from Indigenous North American authors.

Featuring a foreword by Stephen Graham Jones, who introduces and frames the importance of the book's Native perspective when he speaks to a specific fear of the "colonized body" in possession narratives, the breadth and range of subjects, style, and sociocultural themes explored resonates beyond literary representation.

Thank you for reading! If you haven’t already, check out part one and two of our Summerween special!

We’ll be back next week with the final installment.

Until then, stay spooky!

Ryan Todd 16/06/2024 Ryan Todd 16/06/2024

Essential horror film and fiction books for every shelf: Summerween special [part two]!

Beyond Terror: The Films Of Lucio Fulci

Stephen Thrower's Beyond Terror is an exhaustive examination of the filmmaker's life and career.

Published by FAB Press in 2018, the revised and expanded edition — with a whopping 120 extra pages! — is a thing of beauty.

Produced with the blessing of Fulci's daughter Antonella, who also pens the foreword, the tome boasts the largest collection of Fulci posters, stills, press-books, and lobby cards in print. With 1,100 illustrations and 80 color pages, the book also contains substantial appendices — including complete filmographies for all actors.

At the time of writing, a special edition of the book is still available from FAB Press. Housed in the Eibon box, it includes a bonus interview chapter and comes with a free bonus DVD containing Fulci trailers.

Lindsay King-Miller's The Z Word is a fun blend of horror, humor, and heart.

As the LGBTQ+ community in San Lazaro, Arizona celebrates Pride week, Wendy is not only thrust into the drama of coming face-to-face with her ex but must also face a deadly outbreak turning members of the queer community into violent hordes resembling zombies.

A sapphic survival story with a timely serious message, the book's queer lens — from the importance of found family to socio-political commentary surrounding the targeted infection — feeds into an interesting approach to classic zombie lore.

In tribute to Fulci's Gates Of Hell trilogy, another couple of fiction pairings we had to mention are directly inspired by the films: The Beyond: Stories Inspired By The Lucio Fulci Death Trilogy, an anthology curated by Raffaele Pezzella, and David Sodergren's And By God's Hand You Shall Die.

Corpses, Fools and Monsters: The History and Future of Transness in Cinema

The wee caveat here is that we're including an unpublished book (preorder via the above link); however, we're super excited for this title, which will be on our shelves as soon as it's out!

Corpses, Fools and Monsters by Willow Maclay and Caden Gardner is "[a] radical history of trans images in film, and an exploration of the political possibilities of the new trans cinema movement.

Analysing the work of trans cinema directors Isabel Sandoval, Silas Howard, and the Wachowski Sisters, it also discusses the trans film image in everything from pre-talkie films and Ed Wood B-movies to Oscar-winners, body horror and slashers.

Going beyond reassessing notable films, performances, and portrayals, Corpses, Fools, and Monsters instead brings to light films and artists not given their due, along with highlighting filmmakers who are bringing trans cinema out of the margins in the twenty-first century."

Bound In Flesh: An Anthology Of Trans Body Horror

Bound In Flesh, edited by goop maestro Lor Gislason, presents a collection of 13 body-horror stories as diverse as the trans and non-binary voices behind them.

Ranging from the graphic to the surreal, each immersive entry pushes boundaries in every sense; from (sexualized) surgical transformation to shape-shifting across gender and species; a parasitic plague to dysphoria surrounding reproductive challenges; and the most satisfying reverse exorcism to the symbiotic relationship between sadist and masochist in the dance of perpetual death.

An incredibly nuanced and articulate anthology, Bound In Flesh will both shock and stimulate — staying with you long after you turn the last page.

In Shocking Representation, Adam Lowenstein explores how horror films engaged the haunting social conflicts left in the wake of World War II, Hiroshima, and the Vietnam War.

From Georges Franju to Michael Powell to David Cronenberg, Lowenstein reveals how such directors' work allegorically challenged "comforting" historical narratives and national identities intended to soothe public anxieties in the aftermath of national traumas.

Encompassing the emerging field of trauma studies, the book examines the relationship between the genre and real horror — both past and present.

Emil Ferris' My Favorite Thing Is Monsters is a hauntingly beautiful coming-of-age graphic novel, illustrated in the crosshatched ballpoint style.

Set in 1960s Chicago, the novel is presented as the notebook of 10-year-old horror-obsessed Karen. As she attempts to solve the murder of her upstairs neighbour Anka, a Holocaust survivor, her investigation unravels a complex neighborhood network of stories — exploring class, sexuality, race, and gender — that connect past and present.

Karen is half-Mexican and queer, and her love of horror is used as a lens to navigate her identity and personal and sociopolitical experiences; she draws on horror's subversive power of representation in her art, inking herself as an androgynous werewolf detective and her gay Black friend, Franklin, as Frankenstein's monster.

Written over a six-year period — though she would eventually regain motor function, Ferris was left paralyzed from the waist down, with loss of movement in her right hand, after contracting West Nile fever from a mosquito bite — it's not only a testament to her resolve and talent, but an award-winning masterpiece.

Horror Noire: A History of Black American Horror from the 1890s to Present

You've no doubt watched the superb documentary Horror Noire: A History Of Black Horror, but the source book by Robin Means Coleman is required reading.

Horror Noire: A History of Black American Horror from the 1890s to Present chronologically charts the representation of Blackness in horror, from Hollywood to Blaxploitation to Nollywood.

The second edition, released in 2022, is expanded to include participation and roles behind the camera, with new sections dedicated to the 2000s and 2010 onward.

With a particular focus on films from the past decade, the book explores fears and anxieties surrounding race, and how race relations are represented and challenged onscreen.

The Black Girl Survives In This One: Horror Stories

Featuring 13 stories led by Black girls who come face-to-face with monsters — both mundane and supernatural — and survive, this YA anthology is a celebration of Black women in horror.

Edited by Desiree S Evans and Saraciea J Fennell, the collection is crafted entirely by women of color, led by a foreword exploring the history of Black women in film and literature by award-winning author and educator Tananarive Due.

Each story is immersed in Black culture and showcases the resilience, vulnerability, and strength of its protagonist, as the Black heroine saves herself in tales with themes ranging from generational curses to witchcraft to afrofuturism.

As the title states, each story demolishes the historical trope of Black characters being sidelined in supporting roles in horror, reclaiming and commanding this space for central Black heroines in a key evolutionary text that goes beyond literary representation.

Recreational Terror: Women And The Pleasures of Horror Film Viewing

Isabel Cristina Pinedo's Recreational Terror analyses how the contemporary horror film produces recreational terror as a pleasurable encounter with violence and danger for female-identifying spectators.

An incredibly important book that explores the enjoyment of watching horror, challenging the argument that violent horror films only degrade women and incite violence, and instead discussing the ways the genre is a cultural outlet to express rage and terror in the midst of social upheaval.

From race horror to culture politics, Recreational Terror not only comments on the complexity and contradictions inherent in confronting violence onscreen, but makes every single female-identifying horror fan feel seen.

Medusa: The Girl Behind The Myth

Jessie Burton's Medusa retells the titular character's story, focusing on feminism, sisterhood, and the power and connection of stories.

This horror-adjacent work is full of foreboding, charting Medusa's lonely existence after being cursed for her beauty — transformed into a 'monster' by the jealous Athena — and her relationship with Perseus.

Complemented by full-color illustrations by award-winning artist Olivia Lomenech Gill, Medusa's heartbreaking story is reclaimed and humanized in this breathtaking book.

As ever, thank you for reading. If you missed part one, you can read it here.

We’ll be back next week with part three of our bumper book list; until then, stay spooky!

Ryan Todd 07/06/2024 Ryan Todd 07/06/2024

Essential horror film and fiction books for every shelf: Summerween special [part one]!

Happy Pride! Summer is officially here and whether you're a spooky sun bunny or longing for autumn darkness, I think we can all agree that Summerween is a perfect excuse to make that horror TBR pile a little bigger...

Throughout the month of June, we're taking over the blog with a three-part It Came From The Shelves... Summerween special!

Each week, we'll add to a list of recommended horror books from the Hex Libris stacks, pairing essential film theory books with fiction faves.

Grab your drink of choice and let's go!

The Satanic Screen: An Illustrated Guide To The Devil In Cinema

Nikolas Schreck's The Satanic Screen is a fabulous compendium of Satanic films.

A practitioner of magic, Schreck draws on his own spiritual and occult knowledge to explore the symbiotic relationship between the films and leading occultists.

Originally published in 2001, Headpress released a revised and updated edition in May 2024.

At the time of writing, special edition hardback copies are available directly from the website!

Between Two Fires

The depiction of the devil can be interpreted in so many ways, but I went with Christopher Buehlman’s Medieval horror Between Two Fires for this pairing — mostly as I don't hear it talked about too often, and also as I felt it a bit of a cop-out to recommend source material for films covered in The Satanic Screen.*

Set in France during the Black Plague, Between Two Fires follows a former knight and orphan girl as they travel across a world (and even Hell itself) blighted by Lucifer and his band of fallen angels as they wage war on Heaven. The episodic structure of this historical horror (heavy on the Christian iconography and themes, with a dash of fantasy) plays like a horror video game, resulting in something of a poetic mash-up between Dante's Inferno, The Seventh Seal, and Constantine.

(*Though I have to include Arturo Pérez-Reverte's The Club Dumas; while The Ninth Gate was loosely (it removes the eponymous Dumas connection for a start...) based on the book, the film doesn't hold a candle to it. The Club Dumas is a book about a cursed book. With a book detective. Occult bibliophiles. Literary murder mysteries (with bookplates). Plus, Satan. Seriously, what more do you need?)

Blood Money: A History Of The First Teen Slasher Film Cycle

Horror film scholarship’s complex history with dominant psychoanalytic models, specifically in relation to the slasher film, traditionally posited that the violence and misogyny within these formulaic films catered to a young male demographic.

Richard Nowell's Blood Money — a meticulously researched study that draws comparisons with post-classical Hollywood films and viewership — shifts this focus to demonstrate how North American filmmakers and marketers went to extraordinary lengths to make early teen slashers attractive to girls.

You’re Not Supposed To Die Tonight

"Final girl" Charity has landed her dream summer job at Camp Mirror Lake, recreating scenes from the 1983 cult slasher film, Curse of Camp Mirror Lake.

But as life starts to imitate art when one of her co-workers is found dead, she'll have to become the final girl in order to survive the night and discover Camp Mirror Lake's secrets.

A sapphic slasher with a summer camp setting that’s laced with 80s nostalgia, Kalynn Bayron’s YA novel has all the feels and is perfect for both younger audiences — as well as 'classic' horror fans (shout out to my 80s babes) of Fear Street, Point Horror, and Christopher Pike.

The Cult Film Reader

The Cult Film Reader, edited by Ernest Mathijs and Xavier Mendik, collects essays on the canon of cult cinema and its trends, icons, auteurs, and periods of global film production.

Divided into four areas — The Conceptions of Cult; Cult Case Studies; National and International Cults; and Cult Consumption — the book features seminal essays such as Susan Sontag's "Notes on Camp" and Jeffrey Sconce's "Trashing the Academy."

It Was All A Dream: An Anthology of Bad Horror Tropes Done Right

As a bit of a fun antithesis to the comprehensive survey of cult cinema traditions in The Cult Film Reader, It Was All A Dream is an enjoyable and inventive subversion of horror tropes across 26 short stories. While the writers are clearly having a blast — detailing the existential crisis of being the final final girl; why being possessed by a good entity is just as bad; and legal loopholes when making a deal with the devil — it's a real rollercoaster of emotions (as ever, do check content warnings).

With original cover art by Evangeline Gallagher and original interior illustrations by Christopher Castillo Díaz, it's also beautiful to read.

New Queer Horror: Film and Television

Edited by Darren Elliott-Smith and John Edgar Browning, New Queer Horror is an anthology studying the form, aesthetics, and representations of LGBTQ+ identities in an emerging subgenre of film and television (post-2000) termed ‘New Queer Horror.’

Building on existing scholarship surrounding queer monstrosity, the collection features twelve essays exploring how this subgenre portrays contemporary anxieties within LGBTQ+ subcultures via character representation and narratives, examining how “New Queer Horror has turned the focus of fear on itself, on its own communities and subcultures.”

Queer Little Nightmares: An Anthology Of Monstrous Fiction And Poetry

Queer Little Nightmares examines the figure of the monster in horror — typically demonized, marginalized, and outcast — through a queer lens, celebrating and reclaiming these characters as queer icons.

Across 32 pieces of short fiction and poetry, the collection creatively explores themes such as identity, belonging, and coming into queerness. The diversity of LQBTQ+ voices contributing to this anthology — depicting 'monstrous' creatures from Eve to kaiju to the ghosts of Pride past — creates a beautiful melting pot of deeply human stories about what it means to "be (and to love) a monster."

Folk Horror: Hours Dreadful And Things Strange

Adam Scovell's Folk Horror: Hours Dreadful and Things Strange explores folk horror from a hauntological and topographical perspective, as the book's Shakespearean subtitle beautifully illustrates.

Covering an astounding body of films and television series — ranging from depictions of ancient Britain to modern Europe, and encompassing both ruralism and urban spaces — the book is a painstakingly researched study on the representation of the esoteric arts in the latter half of the twentieth century.

Maggie's Grave

As four young friends contemplate their bleak futures in the isolated, decaying town of Auchenmullan, which lies forgotten in the shadow of a mountain in the Scottish Highlands, they learn the hard way that the town is actually cursed when they take a tourist to the local haunt 'spot' — Maggie's Grave.

Falsely accused as a witch, Maggie has returned to claim what was taken from her...

A modern folk-tale, David Sodergren’s Maggie's Grave is a punchy, cinematic ride that packs in the body horror (perhaps the best character entrance ever?), comedy (who knew James Blunt's "You're Beautiful" could be more horrific?), and so much heart (believable small-town characters, social commentary, and an ending that will break your heart — before ripping it out).

As ever, thank you for reading.

We’ll be back next week with part two; until then, stay spooky!